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Salt In The Wound

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7
chs / week
The average realized release rate over the past 30 days is 7 chs / week.
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Synopsis
Synopsis **Lina Marchesi doesn’t remember the night her fiancé died. She only knows he drowned near their private beach house on the Amalfi Coast—and that she was found barefoot, bloodied, and unresponsive in a boat nearby. There were no signs of foul play, and Lina, an American expat novelist, hasn't been able to write since. A year later, under the weight of trauma, gaps in her memory, and public suspicion, she returns to the same village—not to heal, but to hide. But the quiet isn’t quiet for long. Whispers trail her in the market, her old neighbors keep their distance, and someone keeps leaving pages from her *unfinished manuscript* on her doorstep—pages she doesn't remember writing. Enter **Milo Caruso**, a former war photographer turned reclusive innkeeper with his own ghosts. He’s disfigured from an explosion, hiding out in the crumbling hills above the sea. Their paths cross when Lina takes up residence at his isolated property, and tension builds—first in silence, then in sharp, probing conversations over wine and cigarettes. Their connection is messy, magnetic, and deeply flawed. Milo is blunt and emotionally unavailable; Lina is unraveling but seductive, using charm as armor. They orbit each other—drawn, repelled, resisting. But both know what it’s like to live with something unspeakable. As Lina pieces together her fractured memory, it becomes clear that her fiancé’s death wasn’t as accidental as the police claimed. And someone in the village wants the truth buried. And as she and Milo fall into a love that’s as brutal as it is tender, Lina begins to ask herself the scariest question of all: **What if she killed him?**
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Chapter 1 - The Unwelcome Guest

The car's engine died with a reluctant cough.

Lina Marchesi sat for a moment behind the wheel, hands clenched around it like it might anchor her to something real. The narrow cliffside road had curved and climbed until she couldn't tell sea from sky anymore. Now, parked before the weather-stained stone archway of La Sirena, the inn Milo Caruso never advertised, the only sound was wind threading through lemon trees.

The inn looked like it had given up. Faded shutters, a crooked wrought-iron sign swinging on rusted hinges. Moss crept up the stone walls like it, too, was trying to forget something.

She stepped out barefoot, shoes tucked under one arm. A small rebellion. Gravel bit into her soles.

The door was already open.

Not in welcome—just stuck that way, like the building refused to make a proper impression.

Inside, the air was cool and smelled faintly of old wood and salt.

"Milo Caruso?" she called, her voice hesitant, dry from the long drive. "I have a reservation."

Silence.

A radio played softly from somewhere within, jazz notes drifting through dust motes. Then, from the back hallway, footsteps.

She turned just as he appeared.

He wasn't what she expected.

Not handsome, not in the traditional sense. Broad shoulders, yes, but slouched. His left cheek was marred with old scar tissue, jawline uneven beneath it. His right eye was sharp, assessing; the other slightly sunken, half-shaded. He moved slowly, but there was nothing soft about him.

"No reservation," he said.

She blinked. "Excuse me?"

"You heard me."

"I booked two nights. Through your—well, whoever handles your phone. I spoke to someone named Lucia."

"She doesn't work here anymore."

"That's not my problem," Lina said, sharper than intended. She drew a breath. "I've driven five hours. I'm not leaving."

He studied her. "You're American."

She didn't respond.

"Fine. One room. Cash only. No maid service, no food unless I'm in the mood to cook. You clean up after yourself."

Lina set her bag down. "Perfect," she said coolly. "I like things quiet."