We walk hand in hand with the others from our township through the tunnelroads to the Common. Lune drones on above us on the HC, high above, as the Goldbrows (Aureate to be technic) ought to be. They show the horrors of a terrorist bomb killing a Red mining crew and an Orange technician group. The Sons of Ares are blamed. Their strange glyph of Ares, a cruel helmet with spiked sunbursts exploding from the crown, burns across the screen; blood drips from the spikes. Children are shown mangled. The Sons of Ares are called tribal murderers, called bringers of chaos. They are condemned. The Society's Gray police and soldiers move rubble. Two soldiers of the Obsidian Color, colossal men and women nearly twice my size, are shown along with nimble Yellow doctors carrying several victims from the blast. There are no Sons of Ares in Lykos. Their futile war does not touch us; yet again a reward is offered for information on Ares, the terrorist king. We have heard the broadcast a thousand times, and still it feels like fiction. The Sons think we are mistreated, so they blow things up. It is a pointless tantrum. Any damage they do delays the progress of making Mars ready for the other Colors. It hurts humanity. In the tunnelroad, where boys compete to touch the ceiling, the people of the townships flow in merriment toward the Laureltide dance. We sing the Laureltide song as we go—a swooping melody of a man finding his bride in a field of gold. There's laughter as the young boys try running along the walls or doing rows of flips, only to fall on their faces or be bested by a girl. Lights are strung along the lengthy corridor. In the distance, drunk Uncle Narol, old now at thirty-five, plays his zither for the children who dance about our legs; even he cannot scowl forever. He wears the instrument suspended on shoulder straps so that it rests at his hips, with its plastic soundboard and its many taut metal strings facing up toward the ceiling. The right thumb strums the strings, except when the index finger drops down or when the thumb picks single strings, all while the left hand picks out the bass line string by string. It is maddeningly difficult to make the zither sound anything but mournful. Uncle Narol's fingers are equal to the task, though mine only make tragic music.
